Lenses, almost a natural lineage of glass making when you approach your material as a cold worker, grinder and polisher. Refractive qualities of the polished surfaces bend and distort light which passes through this optical medium. These qualities are exactly what I am exploring in my current journey.
The lenses I am making are more than mere cold working processes or exercises. They are metaphors. Metaphors on the modern dilemma of information overload. Our modern anxious lifestyles of sharing kitten fotos and selfies to be consumed and liked in an instant (or not) by strangers on all continents.
My lenses differ from the battery operated ones we hold in our hands. They only need light – and a spectator – to “convert” first-hand information into unique first-hand visual experiences, transforming contiguous spaces within and beyond, distorting the finely aligned mathematical radiation of the electromagnetic waves we perceive as visible light. Maintaining an intentional “handmade-ness” I explore the optical possibilities and sculptural diversity glass has to offer and emulate the origins of my craft (from toolmaking in pre-historic times).
These maquettes are studies. Although small, the spaces they capture are limitless. My intention is to make them large, as public sculptures. Their function is to stimulate awareness of the contiguous spaces where we find ourselves. To bring us back to the here and now.
This theme of immediacy has been part of my creative vernacular for many years, due, in part, to the “window”, process and optical qualities glass offers. It is just that now, more than ever, my understanding of how huge the universe is and how inconsequential our actions are in relation to the immenseness of the cosmos.
Our insatiable appetite for knowledge and fearless endeavours to explore uncharted territory informs the flip-side of my creative coin. It is exactly this Aha! moment I am after, that instant which spurs spiritual growth and makes us human.