2019 – New Glass Now
It is truly a proud moment to be recognised on this grand international platform for contemporary glass, to be one of the voices intertwining the world of glass and future, twenty-first century art.
It is truly a proud moment to be recognised on this grand international platform for contemporary glass, to be one of the voices intertwining the world of glass and future, twenty-first century art.
Pocket Lenses developed over years. They have become an analogue synonym of our digitally engaged society. Lenses were a natural conclusion to the work I do. Sculpting solid (and sometimes blown) glass by grinding and polishing I invoke light to do crazy things. Light is all around us. It is the substance (or wave) that informs us of our surrounding, bouncing off everything we see.
This idea of an alternate reality inside your pocket is not new. Most of us are aquatinted with that digital version – the dumbfone.
It is that time of year again when one checks the mailbox more regularly. Problem is that you find all those bills first and then… with great anticipation the latest copy of New Glass Review is there!
One of my highlight of 2017 is to have been part of Ngwenya Glass’ renowned workshop again. The last time I was in the the Kingdom of Swaziland to make glass was 2010, for the VuvuAfrica project to celebrate South Africa’s Soccer World Cup and previous workshops.