New Glass Review 45 – Corning Museum of Glass
Home Sweet Home has been selected for New Glass Review 45 — the Corning Museum of Glass’ annual juried publication of international glass art.
Home Sweet Home has been selected for New Glass Review 45 — the Corning Museum of Glass’ annual juried publication of international glass art.
Moya African Glass Network turns one. From the origins of glass art in South Africa to our first Glass Safari and the exhibition Glass Now — African Perspectives, here’s the story of how a community found its voice.
Moya African Glass Network (NPC) proudly presents its first group exhibition, Glass Now – African Perspectives, opening on 5 July 2025 at 11:00 AM at the Association of Arts, Pretoria.
The Lathe Riders brought cold work into the limelight at this year’s Glass Art Society conference in Berlin. For the first time in history, cold work got centre stage as the opening demo at a GAS conference.
Scrolling through the abyss of my digital addiction frustrates me. I need to un-frame my mind. This unrelenting pressure to ‘create content’ is driving me up the wall. Maybe I’ve found a way to do it.
The United Nations declared 2022 the International Year of Glass. Countless events, and activities across the globe took place throughout the year, celebrating glass in all its glory — from science, sustainability, industry and technology, to art, history and culture.
It’s not often when one gets a phone call out of the blue where the conversation kicks off around light, optics and sculpture. I answered this call at the beginning of December, to imagine a sculpture which encapsulates lights, camera and action for the Silwerskermfees 2022.
A sluice of possibilities opened at this first international cold workers get-together! Through sharing, doing and conversing we explored the juncture between tradition and craftsmanship, and the freedom to do what you want.
It is truly a proud moment to be recognised on this grand international platform for contemporary glass, to be one of the voices intertwining the world of glass and future, twenty-first century art.
One thing I have learned from the international glass community is that it is a family with weird cousins, uncles and aunts, some might be scary and others timid or bombastic, everyone differently unique but all are giving, supportive and believe in the magic of glass and its future